Tuesday, January 25, 2011

Daily 90 3 & 4 - My Way!

Here's the math:
January 20
15 paintings behind - 2 paintings +
1 day of not painting
+ 1 afternoon of life drawing
- one new snow painting
- 1 painting from a live model
= 11 paintings behind on January 24
- haven't painted yet today
= possible 12 paintings behind tonight, January 25.

Whew! I am going to do this daily painting thing My Way.
Any art I do counts, it just might not be a painting, it could be a drawing or a print. BUT, if I can come up with 90 new paintings in less than 90 days, that would be a marvelous thing indeed.

Below the colors I mixed for the start my second new snow painting.
They don't look very exciting do they?

My surface: a panel by SourceTek - Classens landscape linen.
Notice the little pin holes in the surface of the priming!
I only saw noticed that when I downloaded this photo.

I was surprised to see how intense that blue looked against
the transparent iron oxide underpainting.

I decided to apply the other colors I'd pre-mixed since this blue looked pretty good to me on my palette. It did have more chroma than I wanted for the finished color, but I knew that this was the first go round. Next, I mixed titanium white with a touch of lemon yellow and placed it in the snow area to test the value of the sky. These two values had to have the correct relationship.

Below is what I was looking at, a field in Pataskala, Ohio. Most likely it will be gone to development soon. I sat in the back parking lot of a drive through liquor store to paint.

"Flurries, January" - 6" x 8" - Oil on Linen
This painting is just as colorful as it is subtle. It's been a challenge for me to try and get this image to look like the painting. This was the closest I could get, but I feel so far from the real thing, and who knows what it looks like on your screens?

Below: what was left and scrapped together at the end of my painting session.

And some closeups of 'the battlefield' of my painting.




A few hours later, I drove to Westerville to a 3-hour model session. I took my oils and had high hopes. I had a really good painting going, but should have stopped sooner. Yes there are some drawing issues here, but what really bothered me was that I had the masses so much better and stronger about 35 minutes before I decided that I was ruining this with every brush stroke, yet there wasn't time left to try and bring it back.
When will one ever learn?
"Daniel" 10 x 8" Oil on Museum Board

Sunday, January 23, 2011

Ohio Art League Drawing Session

Sunday afternoon 1:00 - 4:00 PM - my first time at the open life drawing session sponsored by the Ohio Art League in Columbus, OH. $8.00 = 3 hours of time with a live model. I am out of practice, but I think some progress was made in the 3 hours of study. You can click on the images and enlarge them if you like.

Today's Tools
11 x 14" Strathmore 400 Series Drawing Pad
Bic Retractable Pencil
#4 Charcoal Pencil
Sienna Conte Crayon
Kneeded Eraser

60 second poses - Bic pencil
The model said she'd been doing a lot of Yoga lately,
and she took complex and interesting poses.

2 minute poses - still using the same pencil

2 minute poses continued & one 15 minute pose
Oooh, I am out of practice

40 minute pose? charcoal and conte crayon, eraser as drawing tool


30 minutes - charcoal on white Rives BFK
the prince of printmaking papers!



25 minutes, charcoal and conte, eraser
 on Strathmore 400 series off white paper


What a pleasure to spend an afternoon with a wonderful model.
C'est tout!

Thursday, January 20, 2011

Daily 90 1 & 2 - Snow Queen joins the challenge!


Here she is - The Snow Queen!
She brought 6" of snow to my town today.
(In case you didn't know, it's me in disguise.)

The Queen noticed on Facebook that two of her painter friends had challenged each other to paint 90 daily paintings. I've never really been that interested in doing daily paintings, but when I saw Michelle Walker's painting, I invited myself into their challenge -
way back on January 5.

I was already 5 paintings behind at that point!
When I woke up this morning I was 15 paintings behind!
I woke up to falling snow, read an email from my friend Ray who was going out to paint snow in Cincinnati, and with 'the challenge' looming over my head like the sword of Damocles,
I decided to get in the game.

First, breakfast at The Nut.
Second, pay a bill in person, allowing me to do a little driving in the village and see what possibilities were out there. It worked. I found a spot easily, a field of corn stubble with a treeline, and the snow whiting out some of the background.

Here was my studio.
At the right you see my EasyL 12 x 16" easel, poised and itching to get into the game with a 5 x 7" gessoboard panel that has been toned with thinned down Transparent Red Oxide. The snow was falling steadily, and hard, making it impossible to paint outside without the umbrella I'd forgotten. The area behind the steering wheel was too tight to put the easel in front of me, so I sat it on the seat beside me and forced me to paint with my arm extended - just like I should!

I hadn't painted since December 5, 2010 when I did stand outside and paint - in the orchard 5 miles away from my home. Michelle painted that day, as did Jody Hall (the other artist that started the challenge January 1). Ray was there that day, and my friend Edie, and many other painters from Ohio Plein Air Society were sprinkled throughout Lynd's Fruit Farm which was sugared with a light dusting of snow.

Today, I felt a little nervous. You sure do get rusty if you don't paint for even a day, let alone for over a month. So I decided to start by doing my little drawing. Below, you see the two drawings I did for two paintings that I did today. I was parked for the first painting in a safe parking lot looking north across Rt. 16.
For the second painting, I crossed this busy road and
pulled into a farm pulloff heading into the field.

 A policeman stopped by to see if I needed help.
I love it when that happens.
I took further notes to remember this day: here I was painting a great snow storm when suddently I realized that the music coming out of the radio was none other than Gershwin's Summertime! I LOVE that song and used to belt it out in my days as a torch singer.


Okay, I had my drawing. I was nervous. Stalling.
So I decided to mix some colors.
Ray wrote this morning that there were no values out there.
I wrote back saying there were close values,
and now I was faced with them.

I wiped the panel down so that it wasn't so wet.
 And put in some guidelines.
I didn't realize that my shapes were a bit different in the mid-ground. I wish I had, but I was struggling with 'my stuff'. First the panel fell off the easel and into the Thalo Blue!
A good start, the colors were trying to get on the panel.
Next, the brushes were rolling into the paint.
And then, there was paint on the steering column.
Once I concured all of that,
I began laying in the colors that I'd pre-mixed.
 I decided not to second guess myself.
My goal was to see if I could depict falling snow.

This was my palette at the end of the painting.
Eh, Voila!
"Snow Day, January"
#1 - Daily 90

Below is #2 catch up painting - Daily 90
Not what I'd hoped for. The idea was to see if I could depict falling snow with a big brush. The painting was better earlier on. I decided to rework this,
or scrape it and repaint from memory.
If I do, I'll repost it, but not sure I can call it another daily.
Michelle, would that be cheating?
My tools today.
This brush I don't recommend. I bought it years ago on sale,
not very good as the metal part of the brush is loose and wobbely.
And standing in the shadows,
my trusty Lowe-Cornell J-2 palette knife!

Wednesday, January 05, 2011

Just Another Morning in Cuba

First of all, Happy New Year!
In this photo I am holding up my first cup of seriously strong and delicious Cuban coffee. I'm sitting at the breakfast table at
Nelson's Casa Particular in Habana Vieja.
Breakfast consisted of coffee - but not too many cups, pineapple juice, guava paste, rolls, sliced ham and cheese, and cold butter that was as hard as a rock!
Two women from Amsterdam shared the table that morning.
Below is the "lounge", the room that you step into from off the street. This house is pretty well appointed and decorated, the sign of someone that is running a successful B&B business.

Nelson had hooked us up with another casa owner around the corner. The owner was bringing a car, and a little waiting time was involved, so I decided to just peak my head out the door and see what was shaking in Old Havana.

 Writing this, I am reminded of my first morning view of India in 2005 where a golden light was bathing the cricket fields of the Bombay Cricket Club, where I had trouble wrapping my mind around the fact that I was actually there in India. I had that same feeling of disbelief, maybe call it wonder, that I really was in Cuba.

In the photo above you are looking north.
Below, zoomed in, and you can see that there are some locals!

Below, around the corner to the west.

And to the east was this wonderfully painted pair of balconies.
Had we stayed longer, I'd have eventually painted these balconies.

 Right across the street from Nelson's was this brand new paint job.
Below is what I was most interested in painting, complete with the usual Cuban dog. I did a little sketch in preparation for a painting, and walked over to show these gentlemen, Herman and Miguel. We shared a lot of smiles and laughs, and had as much conversation as we could for ones who don't speak much of the others language. No sooner did I go for my easel -

the car showed up. You can see Nelson himself standing in the door, and Miguel hoisting the first of my fellow traveller's suitcases. My case is already on the top of the Beetle and looking mighty fine with that lime green car. So Cuban! What was not so Cuban was that this was a brand new vehicle. Yet, another sign of a successful businessman.

Tuesday, December 14, 2010

Back to the Airport

The next morning it was back to the airport.
Above, finally on the tarmac after several hours, a lot of red tape and pesos, and now waiting in line to board Cubana Airlines. Below, a photo of me with Miguel and his lovely wife. He looked severe, but he was the sweetest man, and as curious about me as I was about him and his wonderful hat. He also sported a neatly trimmed moustache that I liked a lot. He was a total package that I would liked to have had the opportunity to paint. I did draw him in the airport,
which was the real the ice breaker.
After that, we were friends.


Here's a shot of Cuba from the air. I loved the look of the fields,
and the color of the earth.
After landing, going through immigration and customs and money change, we walked out of the airport. An American man named Charlie and a driver were loading Charlie's luggage into the van he'd hired to take him to his casa in the Vedado area of Habana. We didn't know Charlie, but we quickly wound up in his van taxi and shared the fee. It was agreed that Charlie would get dropped off first and the 45 minute drive was spent getting Charlie's history with Cuba. He was spending three days in Habana, and by the end of the ride, we had agreed to meet him the next day to work out the details of a catching a ride in his rental car to the far side of the island. We dropped him, and headed for Habana Vieja, the oldest part of the city. It was raining, and we had no fixed destination since we had
no advance reservation. 

Above is the street outside Nelson's Casa Particular. This casa was highly recommended in Lonely Planet with the only negative listed as small windows in the rooms. After much discussion and checking three or four other places in the dark, it was finally decided to take a room at this casa. The room was available for only this one night, so in the AM we would have to move to another casa. No big deal, I was tired and grateful for a nice place to hang my hat for the night.

But I found the best thing about this casa
in the bathroom. A Sorolla shower curtain!

It had been a long day, we'd had nothing to eat since breakfast,
the rain was bucketing down,
and I was in Cuba.

Monday, December 13, 2010

Mexico

 

I'd never been to Mexico before, and never thought I'd set foot on Mexican soil without my traveling companion, but she'd been detained from the very start. As the plane made it's descent towards Cancun, all I could see were acres and acres of trees, jungle. Then all of a sudden, a housing development! It was a far cry from Cancun's expensive resort hotels and beach loving tourists. This view from the plane was the closest thing I got to the real Mexico. It fascinated me in it's simplicity. It was obviously inhabited by people that had very little, and I am sure that on one of these simple dirt courtyards I saw a bed frame with a mattress sitting outside. I was reminded of the palette bed in Orchha, India, that had been carried outside and placed near the source of the community's water pump. Each morning we'd drink our chai up on the roof of our hotel and look down as life's quiet drama unfolded before our very eyes. The first thing that the women did in the morning was to come to the watering hole and fill their pots with the days water. Here, looking down at Mexico, I saw no watering hole, just very straight roads and little hovels.


Once I'd gone through immigration and customs, I spent a long time with the travel agents at the airport. When they were finished with me, I walked outside. I had a five hour wait before the plane bearing my fellow artist would show up. I was a bit angry at her stupidity, but what could I do? There was no way to communicate with her, and we'd not booked a hotel in advance. All I felt I could do was to wait. I decided to sit at Starbucks of all places. I was hot and thirsty, so I ordered an iced green tea slushy thingy. The picture shows how much of this large drink I'd downed before it dawned on me, "STUPID GIRL!" I shouldn't be drinking anything with ice in it! I was kicking myself hard. I wrote it all down in my journal and figured if I was going to get sick, it would most likely happen way before the person I was waiting on would arrive. The good news, I never did get sick, so I suppose that either Cancun is safe to drink the water, or Starbucks used filtered water for their ice. Either way, I'd had more than a few minutes of worry. It just had not been a good day so far. Still, here I was in Mexico, with Spanish spoken all around me, and funny money in my pocket.

Wednesday, November 03, 2010

Travel frustrations

Tuesday, November 2, were arose at 4:00 AM, had some tea and went off to the Columbus Airport. I had a backpack and one suitcase carrying all my painting equipment, and some clothes, and six rolls of Viva papertowels. My traveling companion, Nora, was carrying a small packlike purse, a childsized wheeling suitcase and two larger suitcases, one larger than the other. She couldn´t get them into the airport all at one go, so I am not sure how she planned on traveling with them.

The nice people at the airport desk helped check us in, and the airport was relativel quiet at that time of morning. My suitcase was 1.5 pounds overweight, but I wasn´t charged, but was warned I´d need to correct that for the return flight. I wheeled  the case to the xray guy, told him I was an artist and in my case were tubes of artists oil colors in plastic boxes, and a tripod. He smiled, nodded and took the case.

Once Nora made her two trips to get her luggage to this xray guys, we headed off to security and coffee! Security was uneventful. Nora was through before me. Her shoes were back on, and as I was tying my last shoe, she said, "ÃŽm just going to go around the corner to Starbucks and order the coffee. What do you want?" Just as I was finishing lacing my shoe I heard her name called over the intercom. I saw her reappear and as she passed me she stammered a bit nervously, "I'll, I'll be back." Her voice sounded like she was trying to reassure me, but had the nervous tone of uncertainty.

I went to get coffee and then to the gate. Within five minutes boarding procedure began. Once the priority passengers and those with kids got on board they called the first rows, and they also called my name saying they had a message for me, please come forward. The message was that Nora had been delayed and they would send her on a later flight that would arrive in Cancun around 3:00 PM. Sounded reasonable, but I was irritated that she tried to take solvent on a plane. She'd told me that she would take it in a rum bottle wrapped in bubble wrap. She´s learned that trick from Nelson Shanks, no less, who´d once carried it in a vodka bottle. Of course I had no idea if that was the problem, but it´s what I suspected.

I mentioned before that I don´t really know this woman that I'm traveling with, and as the day wore on, I began to realize I´d broken my own rule about not traveling with someone I didn't know well.

My plane reached Houston without a hitch. I made a call to Martin from a payphone with a credit card. I was very sorry I´d not brough my cell phone now, and since. Payphone's are definitely becoming one of the dinosaurs of communication.

After the call, I went to the Service Desk for Continental to try and find out what flight they had put Nora on. The woman behind the desk seemed friendly at first, but I quickly found out that she would be no help to me. First off, she was irritated that I couldn´t hear her voice. She was not going to speak up and the airport noise prevented me from hearing her. She sat with her hand out as I asked explained the situation to her, and asked if she could tell me what flight they had put Nora on, followed by saying, "Please tell me what it is that you want from me so I can hand it to you.¨" She wanted my ticket and passport, which I promptly handed to her. She checked me in for my international flight to Cancun, but she said she could give me no information on another passenger. I thanked her and left the desk.

I walked to the gate, bought a bottle of water and took a seat to record all of this, and more, in my journal. And I did a lot of thinking. I thought if I don´t connect with her, I will be on my own in Mexico, what will I do there. This was Plan B thinking, but I felt it was necessary since I didn´t know the cause of her delay, or what she might have in those cases. Maybe I´d not see her again.

Eventually I decided to get something to eat, since my flight was coming up and they don´t feed you on the plane. I also found a bookstore and bought a guidebook to Cancun and the Yucatan. I read a lot of it, starting with Cancun itself since we had no hotel booked. Then a bell went off in my head and I thought to go back to the Service Desk and ask again for the planes that were coming into Cancun from Houston. Of course I had no idea that she was flying through Houston any longer.

The desk was much more animated now. The woman who gave me no help was still there, but there were three new gals coming in to start work. The one sitting next to the unhelpful woman motioned me forward with a smile. She spoke up so I had no trouble hearing her. I said, "Do you want to see my ticket and passport?" She said no. I started to explain the problem. She asked my name, and for Nora´s name.

She was a fountain of information. "She has been rebooked. Oooooooooooooh! She is flying first class! Her flight number is ____, it leaves Houston at _____ and arrives in Cancun at 5:05." That was four hours after mine. "Is she really flying first class? I`ll kill her." This nice woman shook her head yes, looked at me with a smile and said, "We award bad behavior." We exchanged more smiles, I thanked her, and as I turned to walk away I wanted to say something to the unhelpful woman, but I didn´t. Certainly she´d heard the entire thing, and I had to wonder what she was thinking.

I went back to the gate and read the guide book, and wrote in the journal thinking that my journal would be full before I was finished with day one. The flight to Cancun was ontime and without incidence. I arrived at 12:05 (with the time change). I was surprised at all the forms I had to fill out before arrival in Mexico. The immigration agent took my passport and the form and never said a word, just went about making marks on the papers and making a lot of official noise stamping everyting before returning my passport with the visitor´s card.

I was surprised to see that my luggage would be xrayed again to enter Mexico. I was asked what I was carrying. After I explained I received a smile and an "OK." I was in, but now had to figure where to wait for Nora. To make a long story short, I got as much info as possible, changed some money for Mexican pesos and went to get a drink.

Nora did arrive around 6:00 PM and after checking into a hotel, we got ourselves together and I suggested that we go to El Centro. I asked the taxi driver if he knew a good restaurant in El Centro, he mentioned La Parilla. Three people had mentioned it to me, as well as the guidebook. She we went. They had a wonderful maricachi band, and we did lots of drawing and became the darlings of the restaurant.

We flight again today, and once I hit the "post button", I will be off the matrix for a while.

One final comment on my companion, her husband said she had ADD and I think he is right. I feel like I am traevling with an ADD child who has all the rights and priviledges of an adult, and she does. Whew!

Excuse any mistakes this is a keyborad with keys in places I am not used to finding them.

Friday, October 15, 2010

Thinking of India 2009

My thoughts have been turning to last year's trip to India. We began our trip on September 9th and returned on October 28th, a total of seven weeks. Now, having just planned an upcoming trip to a place that I've never been, whose language I barely speak, and with a traveling companion I hardly know, the "adventure" of traveling to this new place, has me thinking of my old friend, India. This time last year, I was in Varanase with my friend, and fellow artist and India enthusiast, Ray Hassard. By the time Ray and I reached Varanase, my husband, Martin, was back at work in the USA. He'd been on the road with us for four weeks, and we were very sorry to see him go.

Below is a photo I took on our first taxi ride, the night we arrived in Mumbai. Probably the most beloved of all the Indian gods, Ganesha! The 'god of new beginnings' was there to greet us in this plastic incarnation, and we were thrilled to see him.


We marveled at the changes in Mumbai. It seemed to have modernized and cleaned itself up quite a bit in two years time. After installing ourselves in our Mumbai home away from home, the Hotel Harbour View, we headed for the rooftop restaurant of this hotel and its wonderful view.
(See post from November 17, 2009 for more of this restaurant and our breakfasts on that first morning.)


15 hours of flying, an hour in a taxi, another 1/2 hour to check in, gives one a chance to work up a thrist. And an Indian beer before bed is a nice thing. Surprise #2: there was no Kingfisher beer at the restaurant! Budweiser was there, Foster's was there, but no Indian beers. A disappointment for sure, but they did have Tiger beer, and that is what Ray and I drank. Below is my husband, Martin, with the Tiger beers and pouring his Indian soda, Limca.

We were fresh travellers at this point, and loving being back in India. But by the time the next photo was taken 5 weeks had passed, and we were getting tired. After Martin went home, Ray and I flew to Delhi where we stayed with friends and conducted a workshop for the programmers of Adobe Illustrator. After 4 days in Delhi, we boarded a train for Lucknow, and after two days, we boarded another train to Varanase.

It was late when we arrived in this most ancient city. We checked into a guest house. Below you see Ray sitting in the upstairs eating area. This was the second time on this trip that we'd stayed in a guest house, where you stay and can eat with the family. Ray is not looking real happy here, 'cause he was not. He'd been waiting and waiting for his dinner to appear, while behind him was Madame Jacqueline, from France smiling and chatting away. We've never forgotten her, she loved everything here, never stopped smiling, shopped till she dropped at the "in-house clothing store" (all the clothes were made and marketed by the lady of the house, Tripty) and Madame got great service. We, however, did not.


It is difficult to get a beer in Varanase, the holiest of cities for Hindu's. Doesn't mean you can't get one, you just have to know how or where to get it, or know someone that does. This guesthouse was a place that stocked beer for their clients. And the "chilly factor" was great!
"Very, very cold," she says in her best Indian accent.
But it wasn't enough to keep us at this place for a week.

Varanase was a long way from our clean toilet in Mumbai at the Hotel Harbour View.


Below is our ensuite bathroom at the guesthouse in Varanase. The bathroom was apparently enough reason for Ray to announce we were looking for new diggs in the morning. That surprised me a bit, since we'd had an equally interesting bathroom in Pondicherry on our first trip to India in 2005. But we only had to endure it for one night, and we did. We didn't want to endure this bathroom or bed for another six nights.


Here was our bedroom in all it's lime green wonder!
It was a pretty depressing place, especially when faced with staying here for a week. I think one could easily go crazy in this room. I am reminded of Van Gogh's painting of a pool player in a bar. He said he wanted to paint a picture that talked about a place where one could go crazy. I think bedroom was a place like that! Surely Madame J's bedroom wasn't like this.

We skipped breakfast in Tripty's kitchen/clothing racket and took a walk in the direction of the river, to investigate other places to live for the next 6 days and nights. We decided on The Hotel Temple on Ganges in the Assi Ghat region, and it was fabulous! The rooms were clean and cool, the little man at the desk turned out to be quite helpful to us throughout the week, and the menu was extensive and filled with breakfast delights like, chocolate toast, or honey pancakes - with or without fresh fruit. I had lemon pancakes with honey that morning, and so did Ray, but he also had the Royal Toast pictured below.

"What is it?" I asked when it arrived. Ray poked around in it, and it turned out it was toast covered in a sort of mushed up warm bread sauce. I didn't much like the look of it, and I suppose Ray didn't much like the taste of it, since he never ordered it again, but hey, someone had to order Royal Toast, right?

Our new hotel was close to the Ganges River, and the rooftop restaurant offered views of the river, a sunrise blaring at you every morning, and also some nice views of our neighborhood behind us. Somewhere out there was Tripty's place, but we never wanted to see it again. We must have had some good karma in finding this place. Each morning we breakfasted to the sound of flute music coming through the air. We later found out that it came from a nearby vendor who was playing to attact buyers, but it was a welcome sound.
Above, you can see what looks like a sandy short in the distance. This is the other side of the Ganges River. There is literally nothing there for miles, and makes a sharp contrast to the overly crowded city on our side. Below is the view behind the hotel, our neighborhood.
Once you walk out the door of the hotel, you are at the mercy of the city, and all those that are trying to make a living off the tourists. Now, sitting in the quiet of my home, I am thinking about where I was this time last year. Has Varanasi changed? Would I want to be there again? Would I recognize anyone? I can see it very clearly in my mind's eye. But nothing takes me there quicker, and on a much deeper level, than my sense of smell. It doesn't matter where I am, or what I am doing, the smell of sandalwood immediately transports me back to this complex, crowded and holiest of cities in India.
Thank you, India, for all you have given me.

Tuesday, October 05, 2010

The Bluebird Cafe, Nashville, TN


The Bluebird Cafe is famouse around the world as a venue friendly and supportive of songwriters. In this small venue, songwriters come from all over the world to sing their songs, and some of them get discovered, or have their songs recorded by big name artists.
Yesterday was the first time I'd ever heard of the place. I decided that since we were in Nashville, we should visit some honky tonks, and get in touch with the musical side of myself. A woman who lives is Nashville started to give some suggestions on where to go, and the Bluebird Cafe, she said, was "the real deal".
It was great! Small, crowded, and is known for a listening venue. NO SMOKE! Still, it must have been hell in the old days before the no smoking laws.
We hears songwriters from Canada, Sweden, Amersterdam, Texas, Wyoming, California, to name a few. Each songwriter gets on "the list" and when their number comes up, they have the opportunity to perform a song. Then off they went to be replaced by the next in line. It ran very smoothly and we heard some wonderful songs and voices, and only one of them we weren't impressed by. It is a really neat place to hear music, and meet famous people too, so I hear. No cover charge, and I'd go back in a heartbeat!

WORN OUT but HAPPY!


"The Taste of Fish", 8" x 8", Oil on Stretched Canvas

We just got back to the hotel after the final day of the Peggy Kroll-Roberts 3-day workshop. I can honestly say that I have never painted as much in a workshop! Her demos are very short, and she gets us down to business quickly! Consequently, at the end of the day, you are worn out physically, and mentally.

I just spoke to my husband, Martin. He tells me that the above painting of my cat, Van Gogh, now living with my daughter and granddaughter, has been accepted in the the Viewpoint 2010 Exhibition. This national juried exhibition is sponsored each year by the Cincinnati Art Club. Now Van Gogh will have a chance to worm his way into more hearts! He is a very cool cat!

Monday, October 04, 2010

Hello from Nashville, Tennessee!

Not Paris, not Nashville, but a wonderful cafe au lait from
Balzac's Coffee in Stratford, Ontario.

I tried to make this post at 8:00 am this morning, but for some reason, things shut down. My good friend and workshop taking buddy, Edie Dean, and I are installed at the Hampton Inn in Nashville until Friday morning.

I don't much like the coffee at this hotel chain, so I decided to post a photo I took last weekend when Martin and I went on a spur of the moment seven hour drive to the Stratford Shakespeare Festival. It just wouldn't be Stratford without a cup from Balzac's.

We had a wonderful time in Stratford despite the fact that the weather wasn't great. We saw two plays: Shakespeare's As You Like It, in a 1920's setting; and, Dangerous Liasions. We also had a very fine Indian meal in the Raja, restaurant. All in all, a short but successful trip.

I might write another short blog entry later this evening, we are wiped out from day 2 of the workshop!

Monday, September 27, 2010

2010 OPA Eastern Regional Exhibition Link

I just received a notice that all the paintings in this outstanding exhibition are now in a YouTube video.
http://www.youtube.com/watch?v=xQn08UKXVVM

My painting is "The Monk's Alarm Clock", you'll know it by the red monks panning down to the rooster. But the works in the show are wonderful, so take a look if you have the time.

Friday, September 10, 2010

White's Mill Challenge

White's Mill serves as subject for outdoor painting contest
Messenger photo by Sara Brumfield
Posted: Tuesday, September 7, 2010 8:38 am
Debra Joyce Dawson of Pataskala paints White’s Mill in Athens on Saturday afternoon. She is one of the founding members of the Ohio Plein Air Society, which was holding a White’s Mill painting competition.

I took part in The White's Mill Challenge sponsored by Athens Real Estate Company, Athens, OH.

The day started out gorgeous, but with a promis of fall in the air. By the time this photo was taken, it sky had clouded over.
A woman with a video camera came by and shot video of several painters, and I wound up on YouTube.
Above is the photo that appeared in the Athens Messenger paper, and here is the link to the YouTube video of me working on the award winning painting.
There are two fellow painters in this video, and in case you don't recognize me, I'm up first.
Just beware, you too, might wind up on YouTube!

Tuesday, August 24, 2010

American Impressionist Society Exhibition - Online

My AIS entry was the painting I posted in June, just before we left for England. If you would like to view the entire exhibition, the link is below.

http://www.americanimpressionistsociety.org/2010/RFA_catalog/index.html

Tuesday, June 22, 2010

Flying to England

At 7:30 AM tomorrow, we go to BWI Airport - and sit. Our flight for Detroit doesn't leave until 12:50 PM, but since this was the only ride we could find, we didn't want to turn it down.

Martin and I got off to a late start yesterday, and we had an uneventful but pleasant drive to Maryland. I spent three of the six and a half hours in the car stuffing, licking and stamping envelopes. My exhibition cards covered in all kinds of stamps of various amounts looked quite festive! This task made the time pass quickly and unnoticed.

We are now at my daughter's house. She and my granddaughter, Natalie, are going to England for their first time. This will be my tenth time, maybe. I've sort of lost count. We fly into Heathrow, and make our way to Notting Hill Gate tube station, and then, walk a short distance to our hotel. Check in time isnt' until 1:00 PM!!!

That's unfortunate, since poor Natalie has been sick with a virus, and a high fever for several days. Today the doctor said she should be right as rain (perfect for England) by Thursday. She was pretty chipper for most of the day, started to eat solids again after a few days of just fluids, and she actually went out shopping with Monica and I. But, as viruses and fevers go, as night approached, she started to feel poorly again.

Summer solstice has come and gone, and every one in the house but me is in bed, sleeping. I vowed to stay up until 3:00 AM, so I could sleep on the plane tomorrow evening. I am a night owl by nature, but had some problems with Photoshop Elements and a photo I was preparing for an entry, so here I am, up and writing at 3:20 AM.

Thanks to Martin, my husband, and personal Sherpa, who has the patience of the start-up engineer that he is, I got it worked out. He knows nothing about Elements, or sizing photos, but he sat here and said, "What happens if you try this, or that?" Together we worked our way through some screens, tried a bunch of stuff, and resorted to the tutorials and help menus. I was pretty sure that I knew what was causing my problem, I just didn't know how to fix it. But, thanks to Martin who kept me going, we figured it out. Why does there always have to be a learning curve?

I got my photo entered in the exhibition, paid the $48 entry fee, and now can go off to England with the attitude that at this point, at this time of the morning, "I either get in, or I don't."

I entered my fifth hen house painting: "Hughes' Hen House", 10" x 8", Oil on Canvas.

I hear the pitter-patter of feet upstairs. I think my daughter is awake! I now sit here debating whether to go to bed, or not!? It almost seems pointless.