Year's ago, the East Wing of the National Gallery of Art in Washington DC housed a large exhibition on Rodin. It was marvelous; recreated his studio with his works all throught the exhibition.
The jewel in the crown of that exhibition was a new casting of his Gates of Hell. It was awe inspiring then, and even more so a few days ago when I came face to face with all of the preparatory studies in plaster, in stages, of varying sizes. And then the bronzes in varying sizes.
And that was just for this one major work. So here are just a few photos of the working out of ideas, and a casting of the work itself sitting in the garden in the rain.